The Andy Warhol Foundation for the Visual Arts

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Grantees

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  • 1987–2017
Raphael Montañez Ortiz, Maya Zemi II [left]; Maya Zemi I [right], 1988. Feathers and cardboard. Installed in the exhibition Museum Starter Kit: Open With Care, on view at El Museo del Barrio, New York, March 12 – September 6, 2014. Artwork © Raphael Montañez Ortiz | Image © El Museo del Barrio, New York | Photography: Michael J. Palma.
Exhibition Support

Raphael Montañez Ortíz: Breaking the Limits
El Museo del Barrio
New York, NY

Diana Solis (b. 1956)
Gay and Lesbian Pride Parade, Chicago, June 1991
Archival Color Inkjet Print
11 x 14 in.
Courtesy of the artist
Exhibition Support

DePaul Art Museum
Chicago, IL

Cecilia Bengolea, Mosquito Net, 2019/22. Vinyl mounted wood, dimensions variable. Courtesy of the artist and Andréhn- Schiptjenko, Stockholm/Paris. Photo: Wes Battoclette.
Exhibition Support

Breaking Water
The Contemporary Arts Center
Cincinnati, OH

Alma Thomas (American, 1891–1978) Sketch for March on Washington, ca. 1963 Oil on canvas board The Columbus Museum Columbus, GA

Exhibition Support

Alma W. Thomas: Everything is Beautiful
The Columbus Museum
Columbus, GA

Bob Thompson, “Garden of Music,” 1960. Oil on canvas. 79 1/2 × 143 in. (201.9 × 363.2 cm). Wadsworth Atheneum Museum of Art, Hartford, Connecticut. The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund. © Michael Rosenfeld Gallery LLC, New York. Photo: Allen Phillips / Wadsworth Atheneum
Exhibition Support

Bob Thompson: This House is Mine
Colby College Museum of Art
Waterville, ME

Wendel A. White, “Placard, March on Washington 1963, National Museum of African American History and Culture, Washington D.C.,” 2016/2017. Pigment inkjet on paper, ed. 1/10, 33 1/8 x 41 1/18”. Image courtesy of the artist.
Exhibition Support

Blue Star Contemporary
San Antonio, TX

Exhibition Support

stanley brouwn
Art Institute of Chicago
Chicago, IL

Multi-year Program Support

Vox Populi
Philadelphia, PA

One of the more than 420 attendees to artist Jesus Benavente’s “I’m Not Dancing, I’m Struggling to Survive: Shelter in Place” performance-dance party watching the video that was part of the piece. People from across the U.S. and  Australia, Spain, Mexico, and Canada came together to share space.
Multi-year Program Support

The Vera List Center for Art and Politics at The New School
New York, NY

Hank Willis Thomas, “Harriet and Annie (Capri),” 2018. Installation in Memphis, TN. Courtesy of Tri-Star Arts.
Multi-year Program Support

Tri-Star Arts
Knoxville, TN

Balas & Wax, “Settlement,” September 2018, as part of Threewalls’ Outside the Walls program, photo: Sean Su
Multi-year Program Support

Threewalls
Chicago, IL

In 2014, Space One Eleven invited the public to play PUBLIC FORUM, with artist in residence, Steve Lambert. Designed to create a large scale forum around current events and fundamental myths, PUBLIC FORUM invites you to vote whether the statement on the marquee is true or false. Imagine a mix of Family Feud, Let’s Make a Deal, the front page of the newspaper, and the best college seminar class you ever took, while discussing topics important to you. With statements like “Slavery is over, My voice is heard & I have equal rights, and Football is more important than Jesus,” Lambert pulled Birmingham locals into a gameshow-like environment to spark these conversations.
Multi-year Program Support

Space One Eleven
Birmingham, AL

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The Andy Warhol Foundation for the Visual Arts
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